Friday, October 13, 2017

The Prowler (1981)

There's so much to love about the look of the killer in Joseph Zito's The Prowler. It was the artwork that initially caught my eye; so greasy-looking, so 80s!

(I was later to learn the reason behind the sheen on everything is because this is taken from an actual shot in the film, where a woman is being killed in the pool, so everything's wet).

Anyway, the exploitation-y artwork; the WW2 uniform; the startling, no face = no humanity look of the Prowler himself... 

Something SO unsettling about his darkness against the pink of the walls!

...I was INTO this film about a mysterious military-clad figure, stalking and slashing its way through a graduation party. I was excited to watch it.

So I don't know if it was the wine I'd had, or the film itself's fault... or maybe a combination of both, but when I did watch it, I very nearly fell asleep. A couple of times.

To put it bluntly, the problem with The Prowler is the downtime between kills. There's no tension, and not too much in the way of engaging plot development either. It's all pretty boring until we see him starting to stalk another victim, and then things start to get interesting.

And the kills themselves? Coming courtesy of Tom Savini, they are by far the best thing to come out of this. Knives plunge into neck meat, eyes roll back to white, heads explode...! They are chilling, and they are incredibly impressive for 1981.

Bless you, Tom, and all of the work you have blessed this genre with. We're lucky to have you!

In conclusion: if you can make it through the slumps, the death scenes are worth sticking around for. 

No comments:

Post a Comment