here for the boos.


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We've a way to go before October... but it's definitely starting to feel more like autumn than summer now, and while indulging in my first pumpkin flavoured item of the season today, I had an idea.

As well as attempting to watch and review horror every day next month, I'm also going to enjoy some fine (I hope) pumpkin beer whilst doing so, and let you know what I think about those, too!

Pumpkin is a tricky flavour to master, so every October I sample a few to see who got it right. I thought it might be fun (and to be fair, I am taking more than a little inspiration from the True Crime Garage podcast) to sip on some seasonal brews while watching seasonal films.

So again, recommendations are welcome. At this point I am probably just going to start scooping up whatever I can find to have in the 'fridge ready to go - any I should keep an eye out for...?

dive right back in.

Hi. So I've been slowly finding my way back to the genre after an extended hiatus, brought about by a combination of (too real) real life stuff and just generally being fed up with bad horror movie after bad horror movie...

It's pretty depressing in itself when you can't watch your once favourite type of film due to feeling too crappy... and when you do feel good enough to take the plunge, they almost always turn out to be stupendously disappointing.

A photo posted by Jo Finlay (@relaxcupcake) on

Apart from You're Next. That one I liked.

BUT, I miss it. And I miss writing about it! So with the spooky season upon us I wanted to set myself a little challenge. I'm going to watch at least one horror movie a day throughout October AND I'm going to write about every. single. one.

It may be a proper review... it may be a version of "live-tweeting" the movie as I watch it... it might be somewhere in between those two. Or something else. I don't want to limit myself or promise anything too lofty or specific, because this is really just an exercise in getting back into the swing of horror blogging.

I'm excited about it, which in itself is pretty thrilling!



So I've been working on the list, because I must have films in the barrel ready to go, or else I'll fall prey to the first world Netflix problem of taking longer to choose a film than watch it. So...

Does anyone have any recommendations? 


I've already filled a lot of the slots with movies I've had on my "To Watch" list for a while, so I'm excited to finally have a reason to get through those. The rest are some I've been wanting to re-watch for a while but have held off with this in mind. This leaves space for a few suggestions! (ideally something I can find on US Netflix or Showtime streaming).

This is subject to change, but here we go, so far:

October 1st - Holidays
October 2nd - The Babadook
October 3rd - Stung
October 4th - Housebound 
October 5th - Creep
October 6th - The Dark Hours 
October 7th - The Final Girls
October 8th - Hatchet
October 9th - Honeymoon
October 10th - Mr. Jones
October 11th - Dead Set (eps 1-3) 
October 12th - It Follows
October 13th - Night Breed (fell asleep, oops)
October 14th - The Facility
October 15th - The Pact
October 16th - Trollhunter
October 17th - Bound to Vengeance
October 18th - Creepshow
October 19th - Scream 2
October 20th - Final Destination 3
October 21st - Halloween: The Curse of Michael MyersHalloween IIHalloween 4: The Return of Michael Myers
October 22nd - 
October 23rd - 
October 24th - Starry Eyes 
October 25th - Hush
October 26th - Black Mirror s:3 e:1We Are Still Here   
October 27th - The Houses October Built
October 28th - Black Mirror s:3 e:228 Days Later
October 29th - 28 Weeks Later, ZombielandHalloween H20: 20 Years Later
October 30th - The Thing, The Neon DemonTrick 'r TreatDawn of the Dead (2007)
October 31st! - Halloween: Resurrection

Reserve:
Camino
He Never Died
House of Good and Evil 
The Awakening
Tales of Halloween
Halloween (1978) & Halloween (2007) 

a note on Contracted...

Hey. Apologies if you are looking for my review of Contracted. I made the decision to take it down after learning of the accusations against director Eric England.

The fact that he personally commented on the review and thanked me made me doubly uncomfortable, and I would rather the review (even if it wasn't 100% favourable) wasn't available to give him or his films any exposure.

I'm sure my traffic is minuscule, but I'd rather it be non-existent. Thanks for understanding.

They Came Back / The Returned / Les Revenants (2004).


As someone who has relatively recently lost a loved one, the idea of this film resonated deeply with me.

The plot (and that of the TV show adaptation, which I'm still in two minds about watching) deals with a well trodden genre idea: the dead coming back to life. But here, it's not in a conventionally horrific way. This is all very civilised - which makes it that much more creepy, if you ask me.

The recently risen calmly stroll out of the cemetery in their pastel clothes.

It was the questions Les Revenants raised with me that I found interesting. Would you want a dead relative back, really? It's easy to jump to a "yes" response, but what about the small-print? What if they come back and they are "broken" in some way?

I was reminded of the Buffy episode Forever, where Dawn tries to bring her mum back from the dead with black magic. We never see Joyce reanimated, but the viewer is led to believe that it would be more of a zombie-Joyce than the lovely Summers matriarch we grew to love. Eventually Dawn realises this thing would not be the same as having her mother back, and breaks the spell before it appears.

So what if you could have your loved one back and they were nearly normal? Good enough? But what if they came back suddenly, without warning, after you have learned to live with your loss?

Of course you want not to have had a close relative die at all, but the "returned" here aren't jumping back to a time pre-death; this plot deals with them coming back after their demise (natural or not), after their families have grieved and gone some way to reconcile and move on. And these aren't violent zombies, they are recognisable enough as their old selves, and yet they aren't the same as before. Something is... off. They seem detached from the world. The town eventually decides to almost class them as a type of "disabled" citizen, as even though they can function in society to a degree, they can't carry out some roles. They have the knowledge they died with, however they cannot seem to learn and grow from that.

So how much do you want them back? Would you want that person returned to you, even if they weren't quite as before, as you remember and love them? How much is too much to put up with, for merely having them in your life again? It's a heartbreaking and terrifying series of questions. 

Two of the characters in this film are a married couple whose young son was tragically killed. When he returns, they deal in different ways with absorbing him back into their lives, especially once his behaviour starts to become increasingly (more) odd. His life was cut short and this is another chance - but at what cost?

For such an interesting premise, executed in the main with a very eerie and atmospheric build, the ending to this film ultimately fell flat for me. It was a bit of a Lost situation: I don't know what I expected, but I was still disappointed! However I would recommend this to anyone in the mood for a very still, thought-provoking film.

Anyone seen the TV show? Thoughts, comments on it? Does it explore what I have touched upon above, and more? I always thought a victim of murder would be an interesting returnee, too.