Monday, March 25, 2019

Us (2019)

 

We're Americans.

Hi! So I know I don't tend to review new stuff. This is because I feel a weird kind of self-imposed pressure for having an opinion that's somewhat topical...! Buuut I wanted to get some thoughts down about Us. This kind of starting writing itself without me making a conscious decision. So here we are :)


Okay firstly, let's talk about this fact from the IMDb trivia page:
Jordan Peele gave the cast ten horror films to watch so they would have "a shared language" when filming: Dead Again (1991), The Shining (1980), The Babadook (2014), It Follows (2014), A Tale of Two Sisters (2003), The Birds (1963), Funny Games (1997), Martyrs (2008), Let the Right One In (2008), and The Sixth Sense (1999).

This list does two things: reminds me that I need to see Dead Again, again, (it was a taped off the TV favourite of mine, back in the day) and it gives some clue as to the calibre of storytelling and overall atmosphere that Us was reaching for - and in my opinion, succeeds in capturing.

And honestly, those film choices simply make my horror/thriller nerd heart happy. Pun intended: Peele is clearly one of us.


I'll say no more other than what's already out there with regards to plot: the Wilson family are on holiday when doppelgängers of themselves wearing red overalls invade their summer home, intent on forcing them to take part in some kind of ritual called "the untethering".

This film just kept turning down avenues I wasn't expecting and, as ever, that's truly the best way to experience it.

Worthy of mention though are the performances from the central four: Lupita Nyong'o as Adelaide, Winston Duke as dad Gabe, and Shahadi Wright Joseph and Evan Alex as their children, Zora and Jason. 



Instantaneously I believed in this family dynamic and all their superbly drawn little idiosyncrasies. From Winston's amusingly (and adorably) feckless father-figure, eliciting eye rolls; Wright Joseph's bored teen; Evan Alex as the "weird" little brother still into masks and magic tricks, and finally the force that is Nyong'o, whose performances are quite simply fantastic.



Elisabeth Moss and Tim Heidecker also star as the delightfully loathsome bougie family "friends", the Tylers. They have twin teen daughters, to further the doubling/doppelgänger weirdness. Moss doesn't have much to do, but that's fine; she has a tonne of fun as Kitty Tyler, a sloppy WASP who clearly can't stand her husband or kids. The later scenes with this family are a great blend of humour and violence.



The more Us unfolded, the more I loved it. And yes, okay, I guessed a beat or two, but that didn't stop any of the gut-punch-like enjoyment as this peeled back to a story that is both brutally simple and simply brutal.

There's nothing like a shattering final shot in a horror movie, so enjoy this one while never being able to hear "Les Fleurs" the same way again.

And join me, won't you, in obsessing over the "untethered" mix of "I Got 5 On It"...




Us is in theatres now and hopefully smashing records and expectations all over the place. I recommend you go and see it, and then go see it again ✄✄✄


Argh, there's so much I haven't covered here! Partly through fear of spoilers, plus the need to sit with some of the epic themes or see this film again to fully be able to process it all. I may do a follow-up post exploring things a bit more - or at least giving links to further reading from voices better placed to comment than mine.


Bonus Jo-went-to-sleep-thinking-about-this content:
Welcome to my first spoiler cut!

Hours after watching this my head was still swimming with details and symbolism sinking in. I'm a huge sucker for twins/duality/mirror image themes in film, and I hope to learn of some articles, essays or podcasts about Us in that respect in the future. For now, here's what I couldn't stop thinking about.

  • Reflections
    ✄ The TV at the beginning showing young Red/Adelaide's reflection between images.
    ✄ An obvious one, but the multiple reflections in the hall of mirrors.
    ✄ Adult Adelaide looking at her reflection in the windows of their summer house.
    ✄ The image of Adelaide's face doubled as Red presses it into the glass coffee table.
    ✄ On a rewatch of the trailer, the family's long shadows are shown on the beach in an overhead shot as they walk toward the Tylers.
    ✄ The handle of the scissors in the artwork (see top of this review) looks like two heads back-to-back; two halves of a whole. Full disclosure: I didn't spot this until someone pointed it out online. Now I can't unsee it.


  • Doubles
    ✄ The spiders on the coffee table, real and fake.
    ✄ The Tyler twins.
    ✄ It's discussed (and we see) that the Tylers have more expensive versions of material possessions the Wilsons own. The boat, their new car, a house with a back-up generator, etc. This could be seen as the whole, "surface" version, to the Wilsons' "lesser".

  • Mimicry
    ✄ Adelaide and Jason are represented as having a close relationship, and we see her in a couple of instances do something that he then copies or matches (clicking along to the song, putting their hands together at the palm).
    ✄ Jason realising that Pluto copies his actions, as seen in the cupboard and when Jason leads Pluto to commit suicide.


  • Masks / "Two-Facedness"
    ✄ Jason's wolfman mask.
    ✄ Pluto's protective mask.
    ✄ Adelaide's mask of normality/sanity that we see slip after Red's murder (also used to great effect in another Us movie poster).

    Let me know if you spotted any I missed! I've pretty much already decided we're going to see this again on its theatrical run. Repeated viewings are going to be a whole other journey.

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